This painting seeks to express the living presence of Jerusalem’s ancient architecture.
Here, the Tower of David is not portrayed as stone and structure alone, but as something alive — breathing, aware, and quietly in dialogue with its surroundings.

The artist works in a motion abstract style, a visual language developed over many years, chosen specifically to capture this sense of movement and life. Through layered textures and subtle shifts, the architecture is allowed to feel animated — as if the buildings themselves carry an inner pulse.

Though built of stone and time, the tower appears almost human, standing beside the palm like a figure in motion, inviting those who pass to pause and connect. The scene suggests that what once was, still is — active, watchful, and present.

Everything appears alive, as it did then, simply waiting for the moment when, by a higher call, renewal will begin once more. A quiet anticipation of redemption, sensed rather than declared.